{"id":1505,"date":"2026-01-27T12:17:33","date_gmt":"2026-01-27T12:17:33","guid":{"rendered":"https:\/\/lfh.edu.gr\/?p=1505"},"modified":"2026-01-27T12:19:37","modified_gmt":"2026-01-27T12:19:37","slug":"le-theatre-au-lfh-paroles-deleves-de-terminale","status":"publish","type":"post","link":"https:\/\/lfh.edu.gr\/el\/blog\/le-theatre-au-lfh-paroles-deleves-de-terminale\/","title":{"rendered":"Le th\u00e9\u00e2tre au LFH, paroles d\u2019\u00e9l\u00e8ves de Terminale"},"content":{"rendered":"

NOMSFERATU<\/em><\/strong><\/p>\n\n\n\n

Avec ma classe, sp\u00e9cialit\u00e9 et option th\u00e9\u00e2tre, nous avons eu la chance d\u2019assister \u00e0 la premi\u00e8re de la pi\u00e8ce Nomsferatu<\/em> au th\u00e9\u00e2tre 104 \u00e0 Gazi, mise en sc\u00e8ne par Johnny O.<\/p>\n\n\n\n

Nomsferatu<\/em> est une pi\u00e8ce de th\u00e9\u00e2tre muette qui est tr\u00e8s originale et surprenante. Elle est bas\u00e9e sur l\u2019un des films les plus c\u00e9l\u00e8bres de l\u2019histoire des vampires : Nosferatu<\/em> de Murnau, tourn\u00e9 en 1922.<\/p>\n\n\n\n

La pi\u00e8ce raconte l\u2019histoire du comte Orlok, un vampire myst\u00e9rieux qui vit isol\u00e9 dans son ch\u00e2teau. Lorsqu\u2019il d\u00e9cide de quitter sa solitude, il apporte la terreur dans la ville. Mina, une femme tr\u00e8s courageuse, est poursuivie par Orlok. Elle tente de sauver la ville et ses habitants de la destruction du comte Orlok. Il s\u2019agit d\u2019une pi\u00e8ce qui combine \u00e0 la fois le comique et la peur. L\u2019atmosph\u00e8re est sombre mais aussi vive. Les acteurs ont beaucoup utilis\u00e9 leur corps et le mouvement afin que le public comprenne l\u2019histoire sans avoir besoin de beaucoup de paroles.<\/p>\n\n\n\n

C\u2019\u00e9tait un spectacle plein d\u2019\u00e9nergie et de suspense, avec des effets sonores et optiques impressionnants, qui gardaient notre attention du d\u00e9but de la pi\u00e8ce jusqu\u2019\u00e0 la fin.<\/p>\n\n\n\n

Polytimi Nikolidaki, \u00e9l\u00e8ve de T.4<\/em><\/p>\n\n\n

PURGATORIO<\/em><\/strong><\/p>\n

Les \u00e9l\u00e8ves de Terminale Sp\u00e9cialit\u00e9 et Option Th\u00e9\u00e2tre ont pu assister \u00e0 la pi\u00e8ce Purgatorio<\/em>, \u00e9crite par Ariel Dorfman et mise en sc\u00e8ne par Christos Dova au th\u00e9\u00e2tre \u039c\u03b9\u03ba\u03c1\u03cc\u03c2 \u039a\u03b5\u03c1\u03b1\u03bc\u03b5\u03b9\u03ba\u03cc\u03c2<\/em> en d\u00e9cembre. Cette \u0153uvre contemporaine propose une r\u00e9flexion profonde sur la culpabilit\u00e9 et la responsabilit\u00e9 \u00e0 travers une r\u00e9\u00e9criture moderne de mythes antiques, en particulier celui de Jason et M\u00e9d\u00e9e.<\/p>\n

L\u2019histoire met en sc\u00e8ne deux personnages enferm\u00e9s dans un lieu ind\u00e9fini, qui ressemble \u00e0 un purgatoire, o\u00f9 ils sont soumis l\u2019un apr\u00e8s l\u2019autre \u00e0 une sorte de confession par un juge masqu\u00e9. \u00c0 travers leurs dialogues, ils reviennent sur des \u00e9v\u00e9nements pass\u00e9s marqu\u00e9s par la trahison et la violence. Le lien avec le mythe de Jason et M\u00e9d\u00e9e appara\u00eet dans la relation conflictuelle et passionnelle entre les personnages, ainsi que dans les th\u00e8mes de la vengeance et de la faute irr\u00e9parable. Le spectateur doit peu \u00e0 peu reconstituer l\u2019histoire, car le r\u00e9cit n\u2019est pas pr\u00e9sent\u00e9 de mani\u00e8re lin\u00e9aire.<\/p>\n

La mise en sc\u00e8ne est volontairement sobre et minimaliste. Le d\u00e9cor est r\u00e9duit \u00e0 l\u2019essentiel, ce qui permet de concentrer l\u2019attention sur les paroles et les \u00e9changes entre les personnages. Cette sobri\u00e9t\u00e9 cr\u00e9e une atmosph\u00e8re lourde et parfois oppressante, renfor\u00e7ant l\u2019id\u00e9e d\u2019un enfermement \u00e0 la fois physique et moral. Cependant, le rythme lent du spectacle demande une attention constante de la part du public.<\/p>\n

Le jeu des acteurs repose principalement sur l\u2019intensit\u00e9 \u00e9motionnelle et sur une interpr\u00e9tation int\u00e9rioris\u00e9e. Les com\u00e9diens incarnent des personnages tourment\u00e9s, souvent en confrontation, ce qui rend certaines sc\u00e8nes particuli\u00e8rement tendues. Ce choix de jeu peut impressionner, mais il peut aussi rendre la compr\u00e9hension plus difficile pour un public peu habitu\u00e9 \u00e0 ce type de th\u00e9\u00e2tre.<\/p>\n

Personnellement, j\u2019ai trouv\u00e9 que Purgatorio<\/em> \u00e9tait une pi\u00e8ce int\u00e9ressante par les th\u00e8mes qu\u2019elle aborde, mais parfois difficile \u00e0 suivre. Sa lenteur et son aspect tr\u00e8s symbolique peuvent d\u00e9stabiliser.<\/p>\n

N\u00e9anmoins, le spectacle invite \u00e0 la r\u00e9flexion et ne laisse pas indiff\u00e9rent, surtout pour les spectateurs sensibles aux trag\u00e9dies inspir\u00e9es des mythes antiques.<\/p>\n

Nicolas Filippatos, \u00e9l\u00e8ve de T.4<\/em><\/p>","protected":false},"excerpt":{"rendered":"

NOMSFERATU Avec ma classe, sp\u00e9cialit\u00e9 et option th\u00e9\u00e2tre, nous avons eu la chance d\u2019assister \u00e0 la premi\u00e8re de la pi\u00e8ce Nomsferatu au th\u00e9\u00e2tre 104 \u00e0 Gazi, mise en sc\u00e8ne par Johnny O. Nomsferatu est une pi\u00e8ce de th\u00e9\u00e2tre muette qui est tr\u00e8s originale et surprenante. Elle est bas\u00e9e sur l\u2019un des films les plus c\u00e9l\u00e8bres de l\u2019histoire des […]<\/p>","protected":false},"author":5,"featured_media":1507,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-1505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-secondaire-francais"],"yoast_head":"\nLe th\u00e9\u00e2tre au LFH, paroles d\u2019\u00e9l\u00e8ves de Terminale - Lyc\u00e9e Franco-Hell\u00e9nique Eug\u00e8ne Delacroix<\/title>\n<meta name=\"description\" content=\"Lisez l'article et d\u00e9couvrez toute l'actualit\u00e9 du Lyc\u00e9e Franco-Hell\u00e9nique Eug\u00e8ne Delacroix \u00e0 Ath\u00e8nes (LFHED).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lfh.edu.gr\/el\/blog\/le-theatre-au-lfh-paroles-deleves-de-terminale\/\" \/>\n<meta property=\"og:locale\" content=\"el_GR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le th\u00e9\u00e2tre au LFH, paroles d\u2019\u00e9l\u00e8ves de Terminale - Lyc\u00e9e Franco-Hell\u00e9nique Eug\u00e8ne Delacroix\" \/>\n<meta property=\"og:description\" content=\"Lisez l'article et d\u00e9couvrez toute l'actualit\u00e9 du Lyc\u00e9e Franco-Hell\u00e9nique Eug\u00e8ne Delacroix \u00e0 Ath\u00e8nes (LFHED).\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lfh.edu.gr\/el\/blog\/le-theatre-au-lfh-paroles-deleves-de-terminale\/\" \/>\n<meta property=\"og:site_name\" content=\"Lyc\u00e9e Franco-Hell\u00e9nique Eug\u00e8ne Delacroix\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-27T12:17:33+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-27T12:19:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/lfh.edu.gr\/wordpress\/wp-content\/uploads\/2026\/01\/Nomsferatu5.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1453\" \/>\n\t<meta property=\"og:image:height\" content=\"1536\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alexandre\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u03a3\u03c5\u03bd\u03c4\u03ac\u03c7\u03b8\u03b7\u03ba\u03b5 \u03b1\u03c0\u03cc\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alexandre\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u0395\u03ba\u03c4\u03b9\u03bc\u03ce\u03bc\u03b5\u03bd\u03bf\u03c2 \u03c7\u03c1\u03cc\u03bd\u03bf\u03c2 \u03b1\u03bd\u03ac\u03b3\u03bd\u03c9\u03c3\u03b7\u03c2\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 \u03bb\u03b5\u03c0\u03c4\u03ac\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/lfh.edu.gr\/blog\/le-theatre-au-lfh-paroles-deleves-de-terminale\/\",\"url\":\"https:\/\/lfh.edu.gr\/blog\/le-theatre-au-lfh-paroles-deleves-de-terminale\/\",\"name\":\"Le th\u00e9\u00e2tre au LFH, paroles d\u2019\u00e9l\u00e8ves de Terminale - 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